All GIOTTO di Bondone Oil Paintings

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
 

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GIOTTO di Bondone Feast of Herod oil on canvas


Feast of Herod
Feast of Herod
Painting ID::  44330
  280 x 450 cm
  280 x 450 cm

Height    Width


  INS/CM       Quality

X

  

GIOTTO di Bondone Expulsion of the Money-changers from the Temple oil on canvas


Expulsion of the Money-changers from the Temple
Expulsion of the Money-changers from the Temple
Painting ID::  44331
  1304-06
  1304-06

Height    Width


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GIOTTO di Bondone Judas-Betrayal oil on canvas


Judas-Betrayal
Judas-Betrayal
Painting ID::  44332
  150 x 140 cm
  150 x 140 cm

Height    Width


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GIOTTO di Bondone Washing of Feet oil on canvas


Washing of Feet
Washing of Feet
Painting ID::  44333
  200 x 185 cm
  200 x 185 cm

Height    Width


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X

  

GIOTTO di Bondone The Arrest of Christ oil on canvas


The Arrest of Christ
The Arrest of Christ
Painting ID::  44334
  200 x 185 cm
  200 x 185 cm

Height    Width


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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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